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This content was uploaded by our users and we assume good faith they have the permission to share this book. The editors wish to thank Wolfgang Schmid, the executive editor of the Narratologia series, for his generous support, and the external reviewers (whoever they are) for their very helpful suggestions. It is not only the problem of the reception of literary character that inevitably draws critics’ attention to the interrelationship between ethics and aesthetics, but also the key questions asked by postcolonial, feminist, and Afro-American studies.

If you own the copyright to this book and it is wrongfully on our website, we offer a simple DMCA procedure to remove your content from our site. Report copyright / DMCA form Narratology in the Age of Cross-Disciplinary Narrative Research Narratologia Contributions to Narrative Theory Edited by Fotis Jannidis, Matı´as Martı´nez, John Pier Wolf Schmid (executive editor) Editorial Board Catherine Emmott, Monika Fludernik ´ Jose´ Angel Garcı´a Landa, Peter Hühn, Manfred Jahn Andreas Kablitz, Uri Margolin, Jan Christoph Meister Ansgar Nünning, Marie-Laure Ryan Jean-Marie Schaeffer, Michael Scheffel Sabine Schlickers, Jörg Schönert 20 ≥ Walter de Gruyter · Berlin · New York Narratology in the Age of Cross-Disciplinary Narrative Research Edited by Sandra Heinen Roy Sommer ≥ Walter de Gruyter · Berlin · New York 앝 Printed on acid-free paper which falls within the guidelines 앪 of the ANSI to ensure permanence and durability. We would also like to thank Anne-Catherine Höffer, who helped prepare the layout for this volume, Joseph Swann for his translations and careful proof-reading, Manfred Link for his work on the manuscript and Manuela Gerlof at de Gruyter. Moreover, cultural and historical analyses of narratives require thicker descriptions than those offered by structuralist narratology, descriptions which take into account both thematic and formal features of texts and the ways in which epistemological, ethical, and social problems are articulated in the forms of narrative representations: “The political enters the study of English primarily through questions of representation: who is represented, who does the representing, who is object, who is subject—and how do these representations connect to the values of groups, communities, classes, tribes, sects, and nations? Kulturspezifische Inszenierungen von Erinnerung in zeitgenössischen Romanen autochthoner Autor/innen Australiens, Kanadas und Neuseelands.

88 MONIKA FLUDERNIK The Cage Metaphor: Extending Narratology into Corpus Studies and Opening it to the Analysis of Imagery ........ Moreover, historiographic metafiction often challenges hegemonic cultural discourses by recontextualizing them and offering alternative versions, thus foregrounding the epistemological and ethical questions involved in writing history (see Kotte 2001). Thus, the epistemological status of narratives varies among the disciplines: whereas the analysis of life stories is a means to an end in narrative psychology, for instance, ‘classical’ narratology is traditionally interested in the nature of narrative in general, trying to define regularities and recurrent features which are shared by all narratives. I will proceed by successively addressing what seem to be the two basic varieties of the expansionist claim with regard to narratology. (Bender 1995: 33) As far as the promises of a contextualist and cultural narratological framework are concerned, what is arguably more important than anything else, therefore, is that such a framework should draw narratologists’ and cultural theorists’ attention to issues that are of crucial importance in an age both of interdisciplinary narrative research and of inter-, multi- and trans-culturalism. As a consequence, most research questions which are at the centre of the narratological debate are simply too theoretical for scholars interested in storytelling as a marketing tool or in narrative interviews as a method of data collection. The first part of this essay will criticize the idea of transforming narratology into a foundational theory within the domain of literary studies, suitable in particular to guiding and evaluating the interpretation of literary texts. With regard to interdisciplinary cooperation, the framework delineated above opens up new possibilities for fruitful collaborative ventures between narratology and narrative inquiry in other areas and disciplines like cultural history, cultural memory studies, psychology, ritual studies, and interdisciplinary research into identity-formation. 154 Contents SILKE HORSTKOTTE Seeing or Speaking: Visual Narratology and Focalization, Literature to Film............................................................................... Cultural narratology recognizes that, since “ideology is located in narrative structures themselves” (Helms 2003: 14), analyses of the semanticization of narrative forms can shed light on the unspoken assumptions, attitudes, and ideologies, as well as on the values and norms prevalent in any given text, genre and period. Fiction and the Architecture of Mind in Eighteenth Century England. 170 SANDRA HEINEN The Role of Narratology in Narrative Research across the Disciplines........................................................................ Once narrative forms are understood as socially constructed cognitive forces, narratives become valuable sources for cultural history and cultural studies, because analyses of “their narrative forms provide information about ideological concepts and world views” (Helms 2003: 14).

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Library of Congress Cataloging-in-Publication Data Narratology in the age of cross-disciplinary narrative research / edited by Sandra Heinen, Roy Sommer. Wuppertal, May 2009 Sandra Heinen and Roy Sommer Contents SANDRA HEINEN, ROY SOMMER Introduction: Narratology and Interdisciplinarity......................... In: Ansgar Nünning (ed.): Literaturwissenschaftliche Theorien, Modelle und Methoden. ” (Scholes 1998: 153) Such questions have always been genuine concerns of narratology, and the categories and models created by narratology for the analysis of narrative provide useful tools for getting to grips with them.

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